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20 June 2017 - The 2017 Setlist Archive has been updated.
31 May 2017 - Previous articles on this page have been archived on the News Archive.
30 May 2017 - New Tour Dates has been added.
16 May 2017 - CSHF indcutee article added to this page. Article/interview from OttawaStart.com added to this page.
Interview by Daniel Lumpkin for Christianity Today
FAN REPORTS FROM PAST SHOWS
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The Cockburn Project
is a unique website that exists to document the work of Canadian singer-songwriter and musician Bruce Cockburn. The central focus of the Project is the ongoing archiving of Cockburn's self-commentary on his songs, albums, and issues. You will also find news, tour dates, an online store, and other current information.
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16 May 2017 - FOR IMMEDIATE RELEASE - TORONTO, ON
On Saturday, September 23, 2017, after a five year hiatus, the Canadian Songwriters Hall of Fame (CSHF) Induction ceremony returns with four incredible inductees, Beau Dommage, Bruce Cockburn, Neil Young, and Stéphane Venne, at Toronto’s iconic Massey Hall .The bilingual ceremony presented by Richardson GMP, will feature remarkable tributes and performances from sought after Canadian artists including, Arkells, Blackie and the Rodeo Kings, Buffy Sainte-Marie, Damien Robitaille, Daniel Lavoie, Don Ross, Élage Diouf, France D'amour, Florence K, Julie Payette, k.d. lang, Randy Bachman, William Prince and Whitehorse with special surprise artists to be announced in the coming weeks.
Fans can expect an exhilarating live show with breath-taking music, moving stories and stunning visuals. Tickets will be available to the public on Friday, May 19 starting at 10:00 a.m. via www.cshfinduction.ca and www.masseyhall.com.
"We are thrilled to be back to celebrate the extraordinary careers of Beau Dommage, Bruce Cockburn, Neil Young and Stéphane Venne at this year's ceremony at Massey Hall," said Stan Meissner, Chair, Canadian Songwriters Hall of Fame. "These inductees truly highlight the depth and incredible legacy of the songwriting talent we have here in Canada."
The CSHF is a national, bilingual, non-profit organization, founded to honour and celebrate Canadian songwriters. Since 2003, theCSHFhas held seven highly successful induction ceremonies focusing on the unique craft of the song and celebrating the value of music in our society. This year's induction ceremony will be recorded for later broadcast by CBC Music in association with ICI Musique.
Multi-platinum selling rock band Beau Dommage consisting of members Marie- Michèle Desrosiers,Michel Rivard, Pierre Huet, Robert Léger, Pierre Bertrand, Michel Hinton, and Réal Desrosiers, broke sales records with their self-titled debut album in 1974. Their second album, Où est passée la noce?, went platinum on the first day of sales. Beau Dommage went on to be the first group to receive the Medal of Honour at the National Assembly of Quebec and in 2013 they were chosen by Canada Post to be depicted on their own stamp.
"For nearly a century, from Madame Bolduc to Louis-Jean Cormier, thousands of Québec artists have sung and still sing, day in, day out and in French, the very soul of the people," said Beau Dommage. "Beau Dommage is proud to be one link in that chain. To us, this honour underscores the smiling tenacity ofla chanson Québécoise."
Bruce Cockburn's illustrious career has spanned over five decades. Cockburn has deftly captured the joy, pain, fear, and faith of human experience in song, earning him 12 JUNO Awards, a Governor General's Performing Arts Award, an induction into the Canadian Music Hall of Fame and has been named an Officer of the Order of Canada.
"I'm honoured and deeply gratified to have the recognition of my work expressed by my being inducted into the Canadian Songwriters Hall of Fame. It's a gas!” said Bruce Cockburn.
Rock & Roll Hall of Fame inductee Neil Young is one of the most influential and idiosyncratic singer-songwriters of his generation. From the beginning of his solo career in the late '60s through to the 21st century, he has never stopped writing, recording, and performing. The multi-platinum GRAMMY Award-winning artist has been inducted into the Canadian Music Hall of Fame and was honoured as an Officer of the Order of Canada.
Acclaimed songwriter, arranger, and producer Stéphane Venne has written over 400 songs (words and music) to date. Twenty of his works charted at number one and are currently among the SOCAN Classics for accumulating over 25,000 radio plays.
"Beyond the ultimate compliment of being inducted in the Canadian Songwriters Hall of Fame, I would like to make a wish. I have, for the vast majority of my career, been a writer and composer, with basically no exposure as an artist. I hope my experience can be an inspiration for those who like me, that have something special to contribute thanks to their writing and nothing but their writing," said Stéphane Venne.
"At Richardson GMP Wealth Management, we share a passion for the Canadian independent spirit and we recognize not only the great talent but the commitment of our songwriters to this country," said Andrew Marsh, CEO, Richardson GMP. "As we celebrate 150 years as a nation, we proudly support the CSHF Inductee Ceremony and the recognition of these four great artists."
For more information and to purchase tickets visit: www.cshfinduction.ca or www.massyhall.com.
The CSHF is also pleased to acknowledge this year's event sponsors, ole, SOCAN Foundation, CBC Music, ICI Musique, SOCAN and Gowling WLG along with the Province of Quebec, Quebecor and Boucher Guitars.
For press images please visit: https://canadian-songwriters-hall-of-fame.prezly.com/media
For more information on CSHF please contact:
Laura Steen / Strut Entertainment / email@example.com /416.300.9254
Samantha Pickard / Strut Entertainment / firstname.lastname@example.org / 647.405.1715
The Canadian Songwriters Hall of Fame (CSHF) honours and celebrates Canadian songwriters and those who have dedicated their lives to the legacy of music, and works to educate the public about these achievements. National and non-profit, the CSHF is guided by its own board of directors who comprise both Anglophone and Francophone music creators and publishers, as well as representation from the record industry. In December 2011, SOCAN (the Society of Composers, Authors and Music Publishers of Canada) acquired the CSHF. The Hall of Fame's mandate aligns with SOCAN's objectives as a songwriter and publisher membership-based organization. The CSHF continues to be run as a separate organization. www.cshf.ca
About Richardson GMP
Trusted. Canadian. Independent. Richardson GMP is Canada's largest independent wealth management firm, entrusted with over $30 billion in client assets. With offices across the country, we are home to some of Canada's most distinguished Investment Advisors. All Richardson GMP Advisors share a passion for professionalism and a commitment to delivering unbiased- and unparalleled-wealth management solutions. They are supported by the substantial resources of our founding companies and their respective track records of success in Canada. We are proudly Canadian. Fiercely independent. And dedicated to earning and rewarding your trust as stewards of your wealth. www.richardsongmp.com
Strut Entertainment / 545 King Street West / Toronto, ON M5V 1M1 / 647.405.1715 www.strutentertainment.com
13 May 2017 - When Bruce Cockburn published his memoirs in 2014 [Rumours of Glory], he didn’t think he could go back to writing songs.
It was 2011 when the 13-time Juno award winning Canadian musician first sat down to bang out his book, around the same time his daughter Iona was born. As expected, becoming a father proved a distraction.
“It was weird,” he said in an interview with OttawaStart.com last month. “It was kinda a pain in the butt… I’d never gone that long without writing a song.”
After a while thinking he’d hung up his songwriting hat, the touch he is so well known for came back.
Soon, he’ll set out on a North American tour with his new album Bone on Bone, the 33rd album of his career. He’ll play at the NAC in Ottawa on Sept. 22.
“The tour will be a band tour, which I haven’t done in a while,” he said.
He’ll be alongside his nephew, accordionist John Aaron Cockburn, as well as drummer Gary Craig and bassist John Dymond, who are all featured on the album.
Opening their act will be Hamiltonian Terra Lightfoot, who spoke to OttawaStart.com last week.
Bruce Cockburn says there’s no direct reference to U.S. President Donald Trump in his new album.
Cockburn has become known for his politicized lyrics, often covering topics such as human rights and the environment. But there’s no mention of a very current political situation, he said.
“There’s nothing about Donald Trump,” Cockburn said. “I’d feel dirty if I did something like that.”
While he doesn’t sing specifically about Trump, he said some might interpret a cover of gospel song 12 Gates to the City to be a reference to Trump’s Mexican border wall.
“There’s a gate for everyone,” Cockburn said.
Lamenting the amount of time it takes to get an album out these days, which he says used to be much quicker, Cockburn said there isn’t a unifying theme in the album, or a single inspiration.
“The songs just come out wherever they come from,” he said. “I didn’t really write any of the songs with a theme in mind.”
Born in Ottawa on May 27, 1945, he was raised in Pembroke and attended Nepean High School. Today he lives with his family in San Francisco and looks forward to returning to the capital.
“I get back there every now and then,” he said, such as for the Juno Songwriters’s Circle at the NAC on April 2.
Growing up, Cockburn said, he felt the need to escape Ottawa’s bubble and travel more.
“I’ve always felt like a nomad,” he said. But he still feels a connection to his hometown.
“I feel very happy to come back and perform.”
~ from OttawaStart.com.
3 April 2017 - Bruce Cockburn Is embarking on a tour of North America.
All of the dates from September 15, 2017 to February 17, 2018 will be "band" shows and all the dates before September will be "solo" shows.
Bruce's band shows will consist of a quartette with drummer Gary Craig, bassist John Dymond and accordionist John Aaron Cockburn.
All 3 or them are featured on Bruce's new True North album "Bone On Bone" slated for release in the fall of 2017.
And for the record, John Aaron is Bruce's nephew.
There are likely to be other dates added after February 2018. Here, you can access the Tour Dates.
~from Bernie Finkelstein Management
1 April 2017 - Buffy Sainte-Marie was presented with the Alan Waters Humanitarian Award at the 2017 JUNO Awards by Bruce Cockburn.
You can watch the video of this presentation here, this is a live stream of the JUNO's, presentation starts at 3:27:28.
Colin Linden – Buffy Sainte-Marie – Bruce Cockburn – JUNO 2017 – photo – True North Records
Bruce Cockburn takes part in the Juno Songwriters’ Circle at the NAC in Ottawa on Sunday, April 2, 2017. Patrick Doyle / The Ottawa Citizen
3 April 2017 - Every song has a story.
Singer-songwriter Bruce Cockburn came home to Ottawa Sunday to host what’s dubbed the “jewel of the Junos” at the National Arts Centre, bringing together established stars and up-and-comers to explore what he called the “mystery” of the craft.
"Nice to have an excuse to be back in Ottawa," the capital-born Cockburn, 71, told the sold-out crowd at Southam Hall, which greeted him with a standing ovation before he’d sung a note.
With him for the 2017 Juno Songwriters’ Circle were nominees including Chantal Kreviazuk, Colin Linden and Wintersleep’s Paul Murphy plus the powerful singer-songwriter Donovan Woods, Acadian newcomer Lisa LeBlanc and 21-year-old R&B phenom Daniel Caesar.
"I don’t get here often enough," Cockburn said, adding that he’d decided to perform some "old ones."
Cockburn reached back into his catalogue to play hits like Lovers in a Dangerous Time, inspired by the "innocent and lovely" fumblings towards romance of his then pre-teen daughter, now a mother of four, amid the Cold War, AIDS crisis and environmental degradation of the 1980s.
He launched into the beautiful, menacing first bars of If I Had a Rocket Launcher after explaining its inspiration was hearing the first-hand accounts of Guatemalan refugees who’d fled savage attacks, the song’s helpless rage amplified by Linden’s haunting slide guitar.
Bruce Cockburn takes part in the Juno Songwriters’ Circle at the NAC in Ottawa on Sunday, April 2, 2017. Patrick Doyle / The Ottawa Citizen
Another classic song and Cockburn hit was born in Ottawa. It was the late 1970s and Cockburn’s cousin, then a Canadian spy, told him over a dinner in Hull that amid the skirmishes of China and Russia, they could all wake up tomorrow to the end of the world.
"This is a guy who knew what he was talking about — it kind of spoiled dessert," Cockburn said.
But the next day,"Ottawa was still here," and as he drove along the Queensway, Cockburn began Wondering Where the Lions Are, which became a Top 40 hit in the U.S. and so familiar to his fans much of the NAC crowd sang along word for word.
Bruce Cockburn & Colin Linden takes part in the Juno Songwriters’ Circle at the NAC in Ottawa on Sunday, April 2, 2017. Patrick Doyle / The Ottawa Citizen
Kreviazuk, nominated for Adult Contemporary Album of the Year, explained at the benefit for MusiCounts, which aims to make sure every kid gets music education, that she’d used songwriting to “find my joy and solace” since her childhood in Manitoba.
"Before there’s a song, there’s nothing," she said, sitting at the piano before launching into her 1997 hit Surrounded. Inspired by a friend who committed suicide when they were teenagers, she said it both helped her find her life’s work and memorializes him every time she plays it.
Another song was a complete change of pace – an acoustic version of Feel This Moment, co-written by Kreviazuk and recorded by Pitbull and Christina Aguilera.
"Don’t let people tell you what to say," was Kreviazuk’s advice to aspiring songwriters.
Lisa LeBlanc, a 26-year-old Acadian transplanted to Montreal, had clearly already taken that advice, bringing down the house with Ti-Gars, a take on her Cajun cousins’ ballads about lost love transformed into a catchy complaint about a dude stealing her car.
Then she pulled out her banjo for You Look Like Trouble (But I Guess I Do Too) which turns the romantic ballad on its head.
"My heart’s always traveled with me in my suitcase," she sang. "And I guess I don’t wanna see it ending up in yours."
Murphy explained that he found the band’s smash hit Amerika in the pages of a collection by 19th-century American poet Walt Whitman that echoed the themes of an otherwise “terrible” short story he’d written himself.
"It stirred something in me," Murphy said, before launching into the song, which juxtaposes a lament for a lost country with the entreaty to "fix me in your twilight eyes so we can make a moment last."
Big-voiced Woods, a Sarnia native who was nominated for Songwriter of the Year and has had his work recorded by the likes of Tim McGraw, had the crowd in silence for a beat before thunderous applause for What Kind of Love is That?
He got a standing ovation when he closed the show with the poignant Next Year, inspired by all the things in life we put off until it might be too late – like his narrator’s impromptu trip to the Grand Canyon with a dying father.
"There ain’t no next year," he sang. "Another day down, another week gone, you’re always just talking about tomorrow — you can’t beg, steal or borrow or make time."
Woods explained that he goes down to Nashville to write songs with the kind of "famous guys" who live on private islands.
"They have to bring people down to remind them what it’s like to have problems," he quipped. "I pack my problems."
~from Ottawa Citizen - by Megan Gillis - Postmedia. Photos Patrick Doyle / The Ottawa Citizen.
6 April 2017 - The JUNO Songwriters’ Circle has been recorded, and you can listen to both sets here
The Junos Songwriters’ Circle is always a lot of fun, with big-name and newer artists sharing the stage to tell the stories behind their songs before playing them.
At this year’s Junos, Bruce Cockburn hosted the Sunday afternoon event at Ottawa’s National Arts Centre in two sessions: first up was Colin Linden, Lisa LeBlanc and Wintersleep’s Paul Murphy; then Chantal Kreviazuk, Daniel Caesar and Donovan Woods took over.
The show was a delight, and if you couldn’t attend, fear not: you can listen to both sets here.
Below, read on for five things you missed at the songwriters’ circle — aside from the music.
1. Everyone’s love for Bruce Cockburn
"Many of the greatest times of my life have been standing two or three feet away, to Bruce Cockburn’s right," joked Colin Linden after Cockburn kicked off the set with "Lovers in a Dangerous Time."
By the end of the afternoon, Cockburn had made both Linden and Kreviazuk cry with his performances — "Is there a tissue?" Kreviazuk asked — and invited LeBlanc to teach his five-year-old daughter to play "You Look Like Trouble (But I Guess I do Too)".
"I’ve had nightmare dreams about Bruce Cockburn singing that [‘Wondering Where the Lions Are’], Chantal Kreviazuk singing that [‘Surrounded’], and then having to go after that, it’s like literally terrifying," confessed Woods before his first song. The whole thing was just a big love fest.
To continue reading, visit this link.
~ from CBC Music.
March 2017 - Bruce will be performing in the songwriters circle at the JUNO's on April 2... here is a short interview about songwriting from the Where Ottawa magazine.
Bruce Cockburn's National Anthems
Folk Alliance People’s Voice Award Acceptance Speech
video and transcript
20 February 2017 Bruce Cockburn received the inaugural Folk Alliance International People’s Voice Award during the opening-night awards ceremony at the organization’s 29th annual conference in Kansas City, Mo. This was the first time Bruce has received an award in the United States.
Here’s the video of Bruce giving his acceptance speech:
Ladies and Gentlemen, Sisters and Brothers
I’m greatly honoured, and very pleased, to be the first recipient of the Folk Alliance’s “Peoples’ Voice” award. For me its a night of firsts: it’s my first Folk Alliance… this is the first such honour I’ve received in the United States, a country that has made me welcome as a visitor for decades, and in which I now dwell. Ultimately, I guess DHS got tired of issuing me work visas and just decided to give me a green card instead.
It all started, though, with a student visa allowing me to attend Berklee College of Music. I found it interesting that as a foreign student during the Vietnam years, I had to swear that I would accept being drafted, in the event the war effort ran out of young Americans.
When I started putting out records, in the ’70s, there was always a visa, as needed, letting me come here to tour. With the radio exposure of Wondering Where The Lions Are, I began to acquire an audience of measurable size. It was with the release of Stealing Fire, though, in ’84, that things really took off. That album included a number of songs that grew out of travel in Central America, much of which was at war.
Many Americans felt betrayed by their country’s complicity in those wars, but there was virtually no public voice for that very large body of dissent… some underground media, but little in the mainstream. If you didn’t approve of what the U.S. was up to, you were left feeling isolated.
When we took Stealing Fire on tour, it was amazing to see rooms-full of people encouraged and uplifted to look around and see that the lyrics spoke to so many besides themselves. “Hey–I’m not alone”. It was exciting for them and for me. I had not thought much about the effect of the political aspect of my songwriting. I had always felt, and still do, that the job is to tell the truth of the human experience as we live it. That, of course, includes the political, as well as lust, humour, family, general grumbling, and spirituality. The key word is truth, delivered directly or obliquely, as understood by the artist.
In the mid-’80s, the Reagan administration’s official truth was that there was no war in Central America, therefore there were no refugees… all those Latinos and Latinas coming north across the border were just dying to be cooks and chambermaids and gardeners. People were dying in Guatemala, in El Salvador, in Nicaragua, slain by weapons and training provided by the U.S. Murderous as that was though, and I don’t know the stats on this, it wouldn’t surprise me if the death toll in the current gang culture, to which the wars of the ’70s and ’80s gave birth, is not even greater, especially in Honduras.
With the attention paid to that album, and the song If I Had A Rocket Launcher in particular, I acquired the reputation of being a “political” singer. Before that the music business pigeon-holers were prone to calling me a “Christian” singer, or things like “the Canadian John Denver”, on account of my round glasses.
The fact is though, the writing I did started from the premise that I’m supposed to distill what I encounter of the human experience into something that can be communicated, shared. I’ve never been interested in protest for its own sake, or in ideological polemicizing. Just f***ing tell it like you see it and feel it. If you don’t see it and feel it, write about something else. Songs need to come from the heart or they don’t count for much.
That isolation and silencing of dissent as practiced in the Reagan era has, with the growth of social media, kind of swung 180 degrees, to where the cacophony of mostly anonymous personal voices, each attached to its own conspiracy theory, tends to shatter truth into kaleidoscopic fragments, reality buried in the resulting avalanche. My truth. Your truth. Alternate facts…what a fertile medium in which to grow a public tolerance for totalitarianism!
This is not lost on those whose narcissism and maybe testosterone level give them the notion that it’s their right and duty to tell the rest of us how to live. Ok… all politicians, all human beings, operate from mixed motives. It’s always tempting to think that what’s good for me is good for you too. That’s why we need to have dialogue, debate, respect for each others’ opinions and feelings. Especially if you want to run a democracy, you must value the expression of these things. Based on that, it seems evident that the current administration is not much interested in democracy. I don’t know, maybe their supporters are tired of the responsibility… but somewhere in the steaming ocean of bullshit they’re creating is a place for, a definite need for, truth.
They are trying to stifle opposition across the board by a range of means. Looks to me like they’re just getting started. Who will end up being the last line in the defense of truth? Maybe you and me…
Doesn’t mean we can’t sing love songs, but if you think you can keep your head down and ignore the political side of things, it’s liable to be waiting for you with a blackjack in the alley, when you come out the stage door.
And what truth are we best in a position to encourage? Obviously communication: community. The specific content of a given song is of less consequence than the way in which that song can be a focal point for collective energy. This is an antidote to the echo chambers, the isolation, the false friendships that characterize the online landscape.
We could be in for a rough couple of years. We may get tired, but we have to keep singing! Keep sharing!
Thank you Folk Alliance for noticing my work. Thank you USA, for the hospitality!
Thank you all for listening !
20 February 2017 Folk singer Bruce Cockburn is encouraging U.S. musicians to keep pushing for free speech under the Donald Trump administration.
While accepting an honour at the Folk Alliance International awards show in Kansas City, Mo. on Wednesday night he took a moment to address the volatile political climate.
"It seems evident that the current administration is not much interested in democracy," he said in prepared remarks.
"They are trying to stifle opposition across the board by a range of means. Looks to me like they're just getting started."
The Canadian singer, who lives in San Francisco, then urged musicians to be a catalyst for dialogue and debate.
"We may get tired, but we have to keep singing," he said.
Country singer Kris Kristofferson presented Cockburn with the People's Voice Award in recognition of his role in social and political commentary. His 1984 track "If I Had a Rocket Launcher" is widely considered a staple of activist music.
Cockburn reflected on his experiences as a young performer during the Vietnam War, and on later years when he found his voice during the U.S. presidency of Ronald Reagan in the 1980s.
He then turned to the current U.S. political climate and told songwriters to consider their music as more than just words, but a "focal point for collective energy" of the community.
"Doesn't mean we can't sing love songs," Cockburn reasoned.
"But if you think you can keep your head down and ignore the political side of things, it's liable to be waiting for you with a blackjack in the alley when you come out the stage door."
~ from TheMontrealGazetta.com, by David Friend.
Photo Credit: Bruce Cockburn, left, accepts his People's Voice Award for his role in social and political commentary from country singer Kris Kristofferson at the Folk Alliance International awards show, in Kansas City, Mo., on February 15, 2017. THE CANADIAN PRESS/HO-Brian Hetherman, *MANDATORY CREDIT*
15 February 2017 - Bruce will start touring in the eastern US in November 2017, in support of his yet to be released new album Bone On Bone. Released date is set for 8 September 2017. He will tour in Canada in September 2017 and in the U.S. and Canada in January/February 2018. This tour will be a band tour, and details of that will be coming along shortly.
11 January 2017 - As part of a permanent commitment to honoring the socially-conscious roots of folk music, Folk Alliance International (FAI) will launch two new awards during the 2016 International Folk Music Awards show.The People’s Voice Award will be presented annually to an individual who has unabashedly embraced and committed to social and political commentary in their creative work and folk music career. The Clearwater Award will be presented annually to a festival that prioritizes environmental stewardship and demonstrates public leadership in education and sustainable event production. Additional awards include Lifetime Achievement, Spirit of Folk, and Album, Song, and Artist of the Year presented on Wednesday, February 15, 2017, at the Westin Crown Center in Kansas City, Missouri.
Folk Alliance International Awards Show
Wednesday, February 15, 2017, 6 pm
Westin Crown Center Hotel, Century C Ballroom
Kansas City, Missouri USA
Open to FAI conference delegates and registered members of the press.
The inaugural People’s Voice award will be presented to multi-platinum recording artist Bruce Cockburn, whose 40-year career has consistently highlighted environmental, social, and indigenous issues globally.
Bruce Cockburn has been all over the world to Mozambique, Nepal, Vietnam, Baghdad, Nicaragua, and Guatemala to protest refugee camps, landmines, and Third World debt. He has been tirelessly vocal in support of native rights, the environment, the promotion of peace, and has highlighted the work of Oxfam, the UN Summit for Climate Control, Amnesty International, Doctors Without Borders, and Friends of the Earth.
His songs "Mines of Mozambique" from album The Charity of Night, "Stolen Land" (Waiting for a Miracle), and "If a Tree Falls" (Big Circumstance) have traveled the globe providing context for some of the world’s biggest issues of the day, while exhorting to all who listen for engagement with our shared humanity.
In over 300 songs on 30 albums that range from folk to jazz-influenced rock, he has sold more than seven million records worldwide and prolifically captured the story of the human experience through protest, romance, spiritual searching, and politics. In an interview with Rolling Stone in 1985, after observing the horrors of refugee camps along the Guatemalan-Mexican border he shared that he went back to his hotel room, cried, and wrote in his notebook, "I understand now why people want to kill." The experience led him to write "If I Had A Rocket Launcher" from the album Stealing Fire.
Cockburn is the recipient of 13 Juno Awards, the Allan Waters Humanitarian Award, nine honorary doctorates, the Governor General’s Performing Arts Award for Lifetime Artistic Achievement, and the Queen Elizabeth II Diamond Jubilee Medal. He has been inducted into the Canadian Music Hall of Fame, and is an Officer of the Order of Canada. Pacing the Cage, a documentary film about his life, music, and politics was released in 2013. His memoir, Rumours of Glory, was published by Harper Collins in 2014.
“We can’t settle for things as they are,” Cockburn has warned. “If you don’t tackle the problems, they’re going to get worse.”
Bruce Cockburn Book Signing
The Day after the Awards, he will be available for a Booksigning for those who have made Advance Purchases of his Memoir Rumours of Glory from Rainy Day Books.
When: Thursday, February 16, 2017, 12 pm - 1:00 pm
Where: Westin Crown Center Hotel, 1 Pershing Road, Kansas City, Missouri 64108
Open to FAI conference delegates and registered members of the press.
Pre-Ordered Books will be available for Pick-Up at the Booksigning in the Ballroom Foyer of the Hotel between 11:00 AM and 12:30 PM on the Day of the Booksigning.
The Booksigning is OPEN to the Public, while all other conference activity is restricted to Conference Badge Holders.
The Public are welcome to attend Public Concerts in the evening, a 3 Day Music Camp, and the Sunday, February 19, 2017, Kansas City Folk Festival by visiting the -- Tickets Webpage at www.Folk.org
Clearwater Festival to Receive Eponymous Award
The inaugural Clearwater Award will be presented to its namesake organization, the Clearwater Festival now in its 50th year and recognized as one the world’s largest and most proactive environmentally focused cultural events.
Held along the banks of the Hudson River in Croton-on-Hudson, New York, the Clearwater Festival (also known as the Great Hudson River Revival) has roots based in the environmental movement.
Founded in 1966 by Pete and Toshi Seeger, the Festival began as a fundraising initiative in order to build a one-masted sloop called the Clearwater. The ship has been used for research, education, and advocacy to help preserve and protect the Hudson river, surrounding wetlands, tributaries, and waterways as well as communities in the river valley. To date, over half a million visitors have learned about the river while aboard.
Fifty years after the first event, the Clearwater Festival has become a steadfast defender, supporter, and advocate for the Hudson River. Through music, dance, storytelling, education, and activism it has helped over 250,000 people experience the wonders of its shores and has featured such luminary artists as Janis Ian, Arlo Guthrie, Tom Paxton, Michelle Shocked, Odetta, Buffy Sainte-Marie, Dar Williams, Taj Mahal, Christine Lavin, and Buckwheat Zydeco, among many others.
The event strives towards zero festival waste, and the goals of sustainability and social responsibility inform all decisions and programs. Use of carpooling, bicycling, and public transportation are encouraged, and the entire festival is wheelchair-accessible and staffed with American Sign Language interpreters. There are many elements to the festival, including seven sustainable bio-diesel-powered stages, environmental education exhibits, Handcrafters’ Village, Green Living Expo, Working Waterfront, Artisanal Food & Farm Market, and Circle of Song. All proceeds go to support research, education, and advocacy to help preserve and protect the river.
The festival is produced by the nonprofit, member-supported, environmental organization the Hudson River Sloop Clearwater, Inc. The organization has received global recognition for advocacy, leadership, and its role in helping to pass landmark environmental laws including the federal Clean Water Act. Most recently, Clearwater, Inc. played a key role in the Environmental Protection Agency’s decision to remove manufactured organic chemicals (PCBs) from the Hudson River.
2 February 2017 - TORONTO — Folk singer-songwriter Lindy Vopnfjord climbed into bed stunned on the night Donald Trump won the U.S. presidency, but he awoke the next morning feeling activated.
Bristling with an urge to speak out, the Icelandic-Canadian musician wrote a series of lyrics that might've seemed alarmist at the time.
And even two weeks ago, when he finally released "Darkness is the Day" to coincide with Trump's inauguration, some of the words didn't resonate quite as much as they do now.
"Opinion is king, one-plus-one is three. The loudest truth is the truest, so repeat after me," Vopnfjord sings. "It takes a little time to get the spin to unwind. It takes a little time."
Vopnfjord is stunned by the evolution of his song's significance.
"There's so much that keeps feeding into the lyrics," he says. "There was more to it than maybe even I realized."
He's just one of countless musicians using their voice to push against what they see as an alarming political climate. Over the past month, prominent artists have contributed a chorus of anti-Trump anthems, which started flowing out ahead of the election last November.
Tracks by Arcade Fire and Mavis Staples ("I Give You Power"), Fiona Apple ("Tiny Hands") and the Gorillaz ("Hallelujah Money") have stood out as recent highlights.
Before that, artists like Franz Ferdinand ("Demagogue"), Jimmy Eat World ("My Enemy") and Amy Mann ("Can't You Tell?") collaborated for "30 Days, 30 Songs," a project that counted down to election day in the hopes of drawing attention to Trump's potential power. The campaign recently expanded to 1,000 songs that will be revealed throughout Trump's presidency.
Listeners appear eager to hear more protest songs too.
Several anti-Trump anthems became viral hits last year, including Ledinsky's "Donald Trump Makes Me Wanna Smoke Crack" and YG & Nipsey Hussle's "FDT," a rousing rap track which pairs an expletive with the president's initials.
All of this newfound inspiration has longtime social-activist musician Buffy Sainte-Marie a bit suspicious. She questions why some artists only decided to write protest songs when there's "going to be money" in it.
But she's also not against more people speaking out.
"The art of the two-and-a-half minute song — it's such a powerful tool," she says.
"If you can say something in three minutes that somebody else had to write a 400-page book about, the book is going to be shelved. The song can live forever."
Sainte-Marie says she writes her songs with the mindset of a photographer capturing snapshots of history.
Her 1964 protest anthem "Universal Soldier" was a portrait of the Vietnam War era while "Now That the Buffalo's Gone" tackled the centuries-old plight of indigenous communities that still continues today.
She wrote "Universal Soldier" as if she was a student crafting an essay for a hypothetical professor who didn't see eye-to-eye with her perspective.
"I was determined to get an 'A-plus' out of this guy," she says.
"(I was) deliberately trying to give people a different point of view than they may have come across before."
Fellow activist songwriter Bruce Cockburn is cautious when it comes to deciding how to express his opinions through music.
With a career spanning nearly 40 years, he's found himself inspired by causes like the environment ("If a Tree Falls") and the devastation of war ("If I Had a Rocket Launcher"). But so far, the U.S. election hasn't motivated him to write anything pointed, and he says it might not.
He says he doesn't want to veer into territory where he's just spouting his political views against a backdrop of bad music.
"It's not always obvious to put it in a song that (doesn't simply become) a propaganda diatribe," says Cockburn, who will receive the People's Voice Award at the Folk Alliance International awards show in Kansas City, Mo., this month in recognition of his social and political commentary.
So many political songs just capitalize on anger, he argues, but don't have any artistic merit. He points to 1965's "Eve of Destruction," a song recorded by Barry McGuire that topped the Billboard charts, as one example of a misfire.
"It was a huge hit, but a terrible song," he says.
Cockburn suggests the track was too literal and sounds especially dated now. Many protest songs that attack their subject head-on suffer the same fate of becoming irrelevant, he adds.
Bob Dylan's "Blowin' in the Wind" stands as a far superior example, he suggests, or "We Shall Overcome," which began as a hymn in the early 1900s and evolved into an anthem of the civil rights movement.
"It had tremendous application over the years to any number of causes," he says of the latter.
"It's absolutely timeless."
~ from Cape Breton Post - Canadian Press by David Friend
31 December 2016 - "The wood doesn’t lie."
At her Cabbagetown studio, the luthier Linda Manzer talks about the organic nature of her trade. Holding a guitar of her invention, she says you can’t make wood what it is not, that you have to co-operate with it, that you have to be honest with yourself. “You can’t fake it,” is how she puts it.
Of course, the honesty Manzer speaks of doesn’t refer solely to the craft of guitar making. A novelist or a ceramist would agree with her; even a cocktail mixologist – the booze doesn’t lie? – would find common ground here.
As would a painter. The guitar Manzer cradles is a salute to the Canadian landscape rock star and Group of Seven ringleader Lawren Harris. It’s a doozy, untraditional with its grooved ridges on the bottom, icy-blue splashes of colour on the top, big mechanical drawing on the back and a second neck thrusting outward from the body like a Harris-y mountain peak.
The acoustic instrument is part of The Group of Seven Guitar Project, an exhibit commissioned by the McMichael Canadian Art Collection and set to open on May 6, in time for the country’s sesquicentennial summer.
Seven masterwork guitars were made by seven of the country’s top luthiers – each instrument an homage to a particular Group of Seven member. An eighth instrument (a baritone guitar that honours the rough-cut woodland enthusiast Tom Thomson) was a creation by committee.
While the project will be seen as a unique commemoration of Harris, A.Y. Jackson, Arthur Lismer, et al, what it really represents is a party thrown for the Canadian guitar makers themselves, a group that has carved out an impressive standing in the luthier world. Seven guitar-makers, then, as a loose-knit, supportive collective – a group, for lack of a better word.
Manzer, well known for the four-necked Pikasso Guitar she designed and built for the jazz guitarist Pat Metheny, refers to the project as an “amazing journey of discovery.”
That discovery began with her visit to the National Gallery of Canada, where she saw a collection of Group of Seven sketches in a back room. Thinking about the support the artists had for one another, she began to draw a comparison to her own experiences in the 1970s, when she was one of the first six apprentices to work with the master guitar-maker Jean Larrivée.
Doing the math wasn’t difficult: Group of Seven, seven luthiers, hmmm. And neither was it very hard to get the other luthiers – Sergei de Jonge, Tony Duggan-Smith, David Wren, George Gray, Grit Laskin and the guitar-making godfather Larrivée – on board.
Matching a luthier with a Group of Seven artist was an organic process – no drawing of straws involved. Duggan-Smith had lived in a house once lived in by Arthur Lismer, so that was an easy pairing. Laskin was attracted to the landscapes of F.H. Varley, and so on. Manzer was drawn in particular to the 1930 oil on canvas Mt. Lefroy, a snow-capped quintessential Harris depiction. “If Lawren Harris made a guitar, what would it look like?” she thought to herself. “And if one of his paintings morphed into a guitar, how would that look?”
The result, which won’t be unveiled until closer to the exhibit’s opening, is an exotic six-string acoustic model with an extra neck that holds an eight-string harp-like offshoot. “Technically, it was quite hard to do,” Manzer says. “But I think the result is a little controversial, and I had fun doing it.”
The next step was an audition. The folk-rock icon Bruce Cockburn, a friend and customer of Manzer’s, would give the guitar a playing. Reached in San Francisco, Cockburn described the guitar as a “pretty spectacular piece of sculpture, which manages to sound decent as well.”
Cockburn, who has sung about trees in forests but has never made paintings of them, wrote a song specifically for the guitar that will be featured in documentary film on the Group of Seven Guitar Project. The Mount Lefroy Waltz is a solo instrumental in F minor, played by Cockburn with the strings capoed at the third fret, with the strings tuned D-A-D-G-A-D.
“I tried to come up with something icy sounding,” Cockburn says. “The guitar favours the higher frequencies, and I tried to write that into the piece. It played very well. I was even able to use the ‘harp’ strings that are part of its architecture.”
The process of making the guitar was a lengthy one. Manzer spent more than two years just researching Harris. The turning point in her study was reading his letters to his confidante and fellow artist, Emily Carr. “He was a cheerleader for her, and the things he wrote to her about being brave became my inspiration from him,” Manzer says. “I took those words to heart.”
Each of the luthiers worked on their individual guitars on their own, but in talking to them all, Manzer believes their processes were similar to hers. “I was going to do what was best for my journey of discovery of Lawren Harris,” she says. “I think we all did that.”
As Manzer says, the wood doesn’t lie. And neither does the muse.
~ from Globe and Mail
Special thanks to Brad Wheeler – Twitter: @BWheelerglobe
30 November 2016 - TORONTO - Folk singer Bruce Cockburn didn't think he'd ever write another song.
After four years dedicated to penning his 2015 memoir "Rumours of Glory," he found he had sopped up most of his words.
"There was no songwriting because it was all about prose," he said in a recent interview.
"Any ideas I had — or creative juices flowing — went in that direction."
But Cockburn did start laying the foundation for his forthcoming 25th studio album earlier this year. Sifting through ideas took some time but eventually rough concepts were shaped and the lyrical drought began to subside.
"Songs started to come," he said. "And they've been coming up pretty steadily ever since."
Cockburn, a 12-time Juno winner and Canadian Music Hall of Fame inductee, is now in the early stages of recording his still-untitled album, which he hopes to release next year.
He'll be in the spotlight on Saturday when he takes the stage at the Canadian Folk Music Awards in Toronto for the first time ever. It's a warm up of sorts for the inevitable tour dates tied to his next album.
Cockburn, whose career is defined by folk favourites like "If I Had a Rocket Launcher," "Lovers in a Dangerous Time" and "Pacing the Cage," is a three-time Canadian Folk Music Award winner. But he says this year his schedule finally allowed him to perform.
He's not "overly thrilled" with the idea of handing out trophies to musicians.
"Getting awards, to me, is pretty meaningless," he says.
"But the idea of celebrating what you do is not."
Cockburn prefers to focus on how awards shows draw attention to artists overlooked by the mainstream.
"There's a place for that in the scheme of things," he adds, "Especially when stuff doesn't get on the radio."
Other performers at this year's awards show include the Ennis Sisters, Sultans Of String and Colin Linden, a longtime producer on Cockburn's albums.
After the show, the two musicians plan to jet off to Nashville where they'll smooth out parts of the new album. Cockburn is pushing to finish the project by mid-January.
"It's kind of a hodge-podge in the way most of my albums are," he says.
"It ranges from social observation to personal, spiritual stuff."
Don't expect any rants about Donald Trump and the outcome of the U.S. election, even though Cockburn has waded into conversations about social and environmental issues through his past songs.
"I haven't written anything about it," he says of Trump's presidency.
"It might take a while for whatever potential material there ... to sort of percolate through. But it's not always obvious to (write a) song that isn't just a propaganda diatribe."
~from WinnipegFreepress - by David Friend Follow @dfriend on Twitter.
26 November 2016 - Bruce was in the studio last week with Colin Linden, Gary Craig, John Dymond and Ron Miles. Daniel Keebler was on site and provided photos for BruceCockburn.com on the five days of the recording session. Daniel has also put up commentary and more photos at, www.brucecockburn.org - In The Studio with Bruce.
9 November 2016 - For the first time since 2010’s “Small Source of Comfort”, Bruce Cockburn is back in the studio recording album number 33. [ You can view NEW photos from Prairie Sun Recording Studio sessions on brucecockburn.com ]
True North is aiming to release the album in 2017 but exactly when, is not yet known. The album will be produced by Colin Linden and be recorded in several studios throughout North America.
The album will contain all new songs written by Bruce.
“Small Source of Comfort” won the 2011 Juno for Best Roots Album as well as two awards from the Canadian Folk Awards and was well received world-wide.
Bruce has written more than 300 songs on 32 albums over a career spanning 45 years. Twenty-four Cockburn records have received a Canadian gold or platinum certification as of 2013, including most recently 6 times platinum for his Christmas album.
Bruce was made a Member of the Order of Canada in 1982 and was promoted to Officer in 2002. In 1998, he received the Governor General's Performing Arts Award for Lifetime Artistic Achievement, Canada's highest honour in the performing arts.
He has received thirteen Juno Awards, and in 2001, during the 30th Annual Juno Awards ceremony, Cockburn was inducted into the Canadian Music Hall of Fame.
Bruce received the Queen Elizabeth II Diamond Jubilee Medal in 2012, and that same year, Bruce received the prestigious Lifetime Achievement Award from SOCAN.
For further information please contact:
613-967-7717 or 416-402-9937
~from: True North Records
Photo: Daniel Keebler
27 October 2016 - The Canadian Folk Music Awards, now in its 12th year, are coming to Toronto, Ontario from December 2-3, 2016. The 72 talented artist nominees for the 2016 CFMA were recently announced at Toronto City Hall and hail from Canadian provinces and territories from coast-to-coast-to-coast. This year’s gala event is taking place at the Isabel Bader Theatre, 93 Charles St West in downtown Toronto on Saturday, December 3, 2016.
The gala is hosted, in both official languages, by award-winning musicians Jean Hewson and Benoit Bourque (La Bottine Souriante) and is open to the public. Tickets for the gala are $45 (plus a $2 processing fee) and are available here. Doors open at 7 p.m. for the event.
The Canadian Folk Music Awards are pleased to announce the 2016 gala line-up, which includes prolific Canadian songwriter Bruce Cockburn. His achievements and decorations include being an Officer of the Order of Canada, an inductee of the Canadian Music Hall of Fame, 13 Juno Awards, 24 Gold and Platinum records, the Governor General’s Performing Arts Award for Lifetime Achievement, numerous honorary doctorates, and the Queen Elizabeth II Diamond Jubilee Medal.
Award-winning guitarist, producer and singer Colin Linden also graces the CFMA performer line-up. The founding member of Blackie and the Rodeo Kings has had an exceptional career, releasing numerous albums with the band, as well as several solo albums. He has also produced and shepherded many upcoming musical talents. Since 2012, the iconic man in the black hat has been the Music Director on the hit TV show Nashville.
Juno Award-winning trio and CCMA nominated sisters from Newfoundland, The Ennis Sisters, bring their beautiful vocal harmonies to the line-up. Past CFMA winners and 2016 nominees The Sultans of String join the gala line-up, adding a view of worldly folk; their music merges Celtic and Cuban, flamenco and Gypsy-jazz, Arabic and South Asian in one delirious musical swell. Winnipeg folk trio Red Moon Road return from a rigorous European tour to join the gala line-up, adding some forward-thinking folk live performance to the proceedings. Quebec folk multi-instrumentalist Klô Pelgag adds some quirky excitement to the gala line-up (and possibly large scale fruit costumes.)
Along with the gala awards event, the weekend features two open-to-the-public musical showcase concerts. On Friday, December 2, 2016 from 8 p.m. – 11 p.m. at Hugh’s Room (2261 Dundas Street West, Toronto) the evening features CFMA 2016 nominees Jocelyn Pettit, The Small Glories, Hillsburn, Beppe Gambetta & Tony McManus, Old Man Luedecke and Élage Diouf. A brunch showcase concert happens Saturday, December 3, 2016 from 11 a.m. to 2 p.m. at Hugh’s Room (2261 Dundas Street West, Toronto) and features 2016 CFMA nominees Rosie & the Riveters, The Andrew Collins Trio, Keltie Monaghan, William Prince, Ten Strings and a Goat Skin. Both showcases at Hugh’s Room are $29 in advance via hughsroom.com and $32.50 at the door.
The CFMA will hand out twenty awards throughout the gala evening. Nominations for the CFMA were announced this September at Toronto City Hall during the second annual #NationalStrum, celebrating folk music across Canada. Born from a pool of volunteers deeply invested in the wealth and breadth of folk talent in Canada, the CFMA celebrate all genres of folk music from across Canada. Well known for having a vibrant culture of folk festivals, folk traditions and folk values, the country comes together for a weekend of celebration.
Canadian artists and groups whose albums were released in Canada between June 15, 2015 to June 14, 2016 were eligible to submit their work. The CFMA currently boast 19 categories and one special achievement award. For the category awards, five nominees are chosen for each category. A two stage jury process by 95 jurors located across Canada, representing all official provinces, territories and languages determine the official winners in each category. Complete eligibility requirements are listed here: http://folkawards.ca/eligibility/
~from That Eric Alper.
7 September 2016 - Five years on from the release of Blackie and the Rodeo Kings' collaborative Kings and Queens release, the roots rock group have announced a companion LP. Bringing aboard male musicians including City and Colour's Dallas Green and Brit power pop vet Nick Lowe, their Kings and Kings collection is due October 7 file under: Music.
While the project last delivered South in 2013, Kings and Kings is the spiritual successor to Kings and Queens, which found Blackie and the Rodeo Kings working with vocalists including Roseanne Cash and Lucinda Williams. As a press release explains, this time around the band's Tom Wilson, Colin Linden and Stephen Fearing reached out to their "best 'guy' friends from the world of roots, blues, and country" to help put together some new tunes.
The roster of talent includes past collaborators like Bruce Cockburn, Buddy Miller, and Keb Mo, while Linden brought aboard artists like Chris Carmack, Charles Esten, Jonathan Jackson and Sam Palladio, with whom he'd worked with on the Nashville television series.
Other notable names involved with Kings on Kings include Dallas Green, Nick Lowe, Vince Gill, Rodney Crowell, Eric Church, and Raul Malo.
Thematically, the full-length kicks off with "Live By The Song," a tune written by all three Rodeo Kings, and featuring guest vocals from Crowell, that is dedicated to "every working musician/songwriter committed to the 'life.'" Elsewhere, Cockburn and Linden wax on "timeless beauty" for "A Woman Gets More Beautiful."
You'll get the full breakdown on the LP below, where you'll also find a stream of the set's Wilson-led, City and Colour-assisted "Beautiful Scars."
Kings and Kings:
1. Live By The Song (ft. Rodney Crowell)
2. Bury My Heart (ft. Eric Church)
3. Beautiful Scars (ft. City and Colour)
4. High Wire (ft. Raul Malo)
5. Playing By Heart (ft. Buddy Miller)
6. Bitter and Low (ft. Fantastic Negrito)
7. Secret of a Long Lasting Love (ft. Nick Lowe)
8. A Woman Gets More Beautiful (ft. Bruce Cockburn)
9. Land of The Living (Hamilton Ontario 2016) (ft. Jason Isbell)
10. Long Walk To Freedom (ft. Keb Mo)
11. This Lonesome Feeling (ft. Vince Gill)
12. Where The River Rolls (ft. The Men of Nashville)
20 July 2016 - My guest on the show this week is legendary performer and songwriter Bruce Cockburn. Bruce has been recording and touring for over 40 years, and has over 30 spectacular albums to his credit. One of the most beloved of Canadian artists, Bruce has made a huge mark in the US and Europe as well. With humble beginnings in the folk scene of Toronto in the 60's, to releasing his first few classic albums on True North Records, before achieving massive commercial success in the late 70's and 80's with hit songs like "Wondering Where The Lions Are", "Lovers In A Dangerous Time" and "If I Had a Rocket Launcher". I've always been drawn to Bruce's creative guitar playing, which incorporates blues, jazz, folk and ragtime elements into a unique sound that instantly recognizable. Bruce and I had a chance to discuss his life and career in music and all the stages of his amazing career. Enjoy my conversation with Bruce Cockburn!